The prince asks Portia not to judge him by his dark complexion, assuring her that he is as valorous as any European man. The Merchant of Venice: Act 1, scene 2 Summary & Analysis New! English Maths Physics Chemistry Biology. The Merchant of Venice Act 1 Scene 2 Summary. Sibylla : this refers to Deiphobe, the traditional old woman of the ancient Romans. Portia complains to her woman-in-waiting (read: her sidekick), Nerissa, that she's tired of the world. Portia tells her servant and friend Nerissa of her frustration and weariness at the suitors who have swarmed her home seeking to marry her. Teach your students to analyze literature like LitCharts does. If the worst that could happen happens, I hope I’llbe able to go on without him. We now meet Portia, who turns out to be more than a spoiled little rich girl. I had rather he should shrive me than wive me : I would rather have him as my priest, to administer spiritual comfort, than as a husband. Setting : Venice Characters : Lorenzo, Gratiano, Salarino, Salanio, Launcelot. Act 1 Scene 2 PORTIA : God made him, and so let him pass for a man. A room in PORTIA'S house. She was the goddess of hunting, and also of the moon, parcel of wooers : crowd of suitors, dote on : long for. If athrush sings, he starts dancing right away; he will fence with his own shadow; if I should refuse him, I would be refusing twenty husbands. This page contains the original text of Act 2, Scene 1 of The Merchant of Venice. PORTIA : Yes, he’s a cunning fellow indeed, because he doesn’t do a thing but talk about his horse; and he makes it a great attribute to his own good qualities that he can shoe him himself, I am very afraid, my lady, his mother had an affair with a blacksmith. The original text plus a side-by-side modern translation of. ACT 2. We'll make guides for February's winners by March 31st—guaranteed. Understand every line of The Merchant of Venice. What’s the news? I will do anything, Nerissa, before I’ll be married to a sponge. Why are they there? Prejudice and Intolerance . NERISSA : What do you have to say about the French lord, Monsieur Le Bon? The Elizabethans were accustomed rather to seeing negro people than Moors, and the black skin of the pure negro was by no means admired. Amongst the major developments in Act 2 are Jessica's elopement, suggestions of bad news for Antonio and Portia's suitors choosing incorrectly. PORTIA : Honestly, Nerissa, my little body is weary of this great world. LitCharts Teacher Editions. The Scottish lord, his neighbour : King James I of Scotland had then ascended the throne of Great Britain, and it was thought advisable to change this lest it should give offence to the King, that he hath a neighbourly charity in him; for he borrowed a box of the ear of the Englishman, and swore he would pay him again when he was able: I think the Frenchman became his surety, and sealed under for another : there was great jealousy between Scotland and England at this period, owing to the long wars and numerous causes of quarrel between the two countries. The youth is as agile and active as a hare, while the old man is as feeble and slow as a lame man (cripple), in the fashion : of the proper type, would : would like; care for. Why, he has ahorse better than the Neapolitan’s, a better bad habit off rowning than the Count Palatine; he is every man in no man. Nerissa, a gentlewoman who works for Portia, asks her if she remembers a soldier who stayed at Belmont several years before. Annotated, searchable text of THE MERCHANT OF VENICE, Act 3, Scene 2, with summaries and line numbers. The Frenchman became his surety: the Frenchman gave an assurance that the Scotsman would pay back the blow he had received, and sealed under for another : the language is such as would be used to describe the drawing up of an agreement between two countries. He’s the picture of a proper man, but alas, who can talk with someone who can’t talk? For the first time Nerissa and Portia show some hopefulness about a prospective suitor. Dramatic Irony: " I will go before, sir. NERISSA : Then there is the Count Palatine. Like Antonio in the first scene, Portia complains to her trusted friend about being sad. -- Philip Weller, November 13, 1941 - February 1, 2021 Dr. Weller, an Eastern Washington University professor of English and Shakespearean scholar for more than 50 years. Merchant of Venice Act 1, Scene 2 Modern English Translation Meaning Annotations – ICSE Class 10 & 9 English. PORTIA : You know I say nothing to him, because he doesn’t understand me, and I don’t understand him: He doesn’t know Latin, French, or Italian, and you will come into the court and swear that I only know a penny’s worth of English. But what warmth is there in your affections towards any of these princes that have already come to try? Contents. if the devil be within and that temptation without, I know he will choose : for even if that casket contained the devil himself, he would risk opening it as long as there was such a strong temptation as a flask of wine outside, sponge : used to denote a drunkard, i.e., one who soaks up or absorbs liquor, some other sort : by some different method, your father’s imposition : the conditions imposed by your father. ii) The County Palatine was always frowning and unusually gloomy. Read Act 1, Scene 2 of Shakespeare's The Merchant of Venice, side-by-side with a translation into Modern English. They're like having in-class notes for every discussion!”, “This is absolutely THE best teacher resource I have ever purchased. She also expresses frustration at her recently deceased father's plan to choose his daughter a husband. The Merchant of Venice: Home Act 1 Act 2 Act 3 Act 4 Act 5 Literary Devices ... Act 2. "My students can't get enough of your charts and their results have gone through the roof." NERISSA : What do you think about the Scottish lord, his neighbor? About “The Merchant of Venice Act 2 Scene 1” The Prince of Morocco declares his love for Portia as well as his pride in his darker skin color. The Editor. Next. ACT 1. Get Merchant of Venice Workbook Answers here ICSE for class 9 and 10 board . They completely demystify Shakespeare. nor refuse none : an example of Shakespeare’s double negative, which is used as being stronger than a single negative. Themes and Colors Key LitCharts assigns a color and icon to each theme in The Merchant of Venice, which you can use to track the themes throughout the work. ICSE Solutions Selina ICSE Solutions ML Aggarwal Solutions. Merchant of Venice Workbook Answers Act 2, Scene 1. What stands in his way? When he is best : he is at his best, on the worst fall that ever fell : even the worst stroke of fortune that may befall me, I hope, will not be so bad that I cannot manage to get rid of him. Scene 1 . By my troth : A mild form of oath, surfeit : to be supplied with anything to excess, it is no mean happiness, therefore, to be seated in the mean : Nerissa says, “It is no small happiness to be situated in a position mid-way between poverty and riches.” superfluity : the man who lives wastefully through excess of luxuries, comes sooner by : obtains more quickly, competency : the man who possesses just sufficient for a reasonably comfortable life, good sentences : fine opinions. Original Text Act I Scene II. Apollo promised her that she would live as many years as there were grains in a handful of sand which she carried, as chaste as Diana : the classical goddess Diana is always used as typical of chastity. You can view the entire answer from the images given below. How oddly he is dressed! ICSE Solutions Selina ICSE Solutions ML Aggarwal Solutions. LitCharts assigns a color and icon to each theme in. She also gives a hint of ethnic prejudices she will later reveal more fully. Act 1, Scene 2 opens in Belmont, with Portia and Nerissa speaking. Portia is characterized in act 1, scene 2, of Shakespeare's The Merchant of Venice as a conflicted, intelligent woman, who is obedient, loyal, and perceptive. Portia's speeches show that she's witty and self-possessed, but also cruel and prejudiced—as well as materialistic, on occasion (for instance, when she rejects the Scottish lord for not having enough money). PORTIA : Very disgusting in the morning when he is sober, and most disgusting in the afternoon when he is drunk: when he is best, he isa little worse than a man, and when he is worst, he is little better than a beast. I can easier teach twenty what were good to be done, than be one of the twenty to follow mine own teaching : the general sense of the lines is that to obey instructions is twenty times more difficult than it is to give good instructions, brain : the reasoning powers; the mind, blood : passion; the desires of the body, such a hare is madness the youth, to skip o’er the meshes of good counsel the cripple : here madness typifies a reckless young man, while wisdom typifies an old man. Teachers and parents! Welcome to my web site, now under development for more than twenty years. (including. i) The Neapolitan Prince from Naples, Italy, was a dashing youngster, as wild as a horse. Rhenish wine : wine made from grapes grown in the Rhine valley, on the contrary casket : on the wrong casket: the one which is opposite to the right one. Merchant of Venice Act 1 Scene 2 Critical Commentary In this scene we are introduced to the heroine of the play, Portia, in her home at Belmont. Nerissa : You would be, sweet madam, if your miseries were in the same. Welcome to my web site, now under development for more than twenty years. A room in PORTIA\'S house. the four strangers seek for you, madam, to take their leave : we have already been told of six suitors staying at Belmont, and it is strange that only four are mentioned here. Isn’t it hard, Nerissa, that I cannot choose one or refuse none? The belief in olden times was that such a method was not decided by chance, but was directed by divine guidance and intervention, princely suitors : It has been thought that there is a topical reference in the mention of the “princely suitors” for the hand of Portia. Her manner here should be compared with the attitude of satire and mockery with which she heard of the other suitors. ICSE SolutionsSelina ICSE SolutionsML Aggarwal Solutions. Questions and Answers from The Merchant of Venice Act 1 Scene 2 by William Shakespeare Structured Questions from Act 1 Scene 2 of the Merchant of Venice by William Shakespeare. My students love how organized the handouts are and enjoy tracking the themes as a class.”, “Every teacher of literature should use these translations. She points out the faults that each of them has, often stereotyping each suitor according to the country from which he has arrived. Modern English Reading Act I Scene II . abundance as your good fortunes are : and yet, for aught I see, they . Our. Act 1, scene 3. Essay on Vasai-Virar | Vasai-Virar Essay for Students and Children in English, Essay on Hubli-Dharwad | Hubli-Dharwad Essay for Students and Children in English. She is uncertain of her future due to the strange provisions of her father’s will with regard to her marriage. Like Antonio, Portia is also sad; but there is a reason for her sadness. NERISSA : Your father was always a holy man, and holy men have good ideas when they die; so the lottery that he has thought up in these three chests, made of gold, of silver, and of lead, by means of which who ever chooses the right chest chooses you, will, no doubt, never be chosen by the right man except the one you shall rightly love. Detailed explanations, analysis, and citation info for every important quote on LitCharts. In order to please his audience, Shakespeare makes the Scotsman and Frenchman both deficient in courage, submitting to a blow from the Englishman without having the spirit to return it. Oh, me, the word “choose!” I cannot choose someone I like or refuse someone I dislike; so is the behavior of a living daughter curbed by the will of a dead father. Merchant of Venice Workbook Answers Act 2, Scene 1 – ICSE Class 10 & 9 English. Intruth, I know it is a sin to be a mocker, but him! Portia says that if it were as easy to follow out the moral ideal as it is merely to know about it, then there would be so many worshippers that all the small chapels would have to be replaced by big churches. Question 1 : Read the extract given below and answer the questions that follow. This page contains the original text of Act 1, Scene 2 of The Merchant of Venice. Message Writing | Message Writing Format, Examples and How To Write a Message? From the creators of SparkNotes, something better. But, confronted with the prospect of Morocco, Portia again demonstrates her bleak outlook about her marriage. Each scene is examined with analysis and key quotes presented. NERISSA : They would be better sentences, if you followed them well. NERISSA : You would be, … The Merchant of Venice Summary: Act II, scene i In Belmont, the prince of Morocco arrives to attempt to win Portia’s hand in marriage. 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Fb Group Link -:https://www.facebook.com/groups/540197703102068/ PORTIA : If I live to be as old as Sibylla the witch, I’ll die as pure as Diana the goddess of purity, unless I am obtained by the letter of my father’s will.I am glad this batch of would be husbands are so reasonable; because there isn’tone of them that I am not foolishly in love with his very absence, and I pray God grant them a fair departure. From the masculine commercial world of Venice we are taken to a romantic, feminine world of Belmont. Synopsis: At Belmont the Prince of Morocco greets Portia, who tells him the terms of the contest: if he chooses the wrong chest, he must never again seek to marry. Passage – 1 (Act II Sc. -- Philip Weller, November 13, 1941 - February 1, 2021 Dr. Weller, an Eastern Washington University professor of English and Shakespearean scholar for more than 50 years. At Portia’s estate of Belmont, Portia and Nerissa talk over Portia’s frustration at being unable to choose her own husband. Share. Merchant of Venice- Act 1 Scene 2 This scene comes after Antonio and his friends have been introduced. He always talked about his horse. The plot unfolds through the conversation of Portia and Nerissa. Instant downloads of all 1408 LitChart PDFs NERISSA : First, there is the Neapolitan prince. This Even though her father is dead, Portia feels bound to … Give two characteristics of each suitor described by Portia. Salerio and Solanio think he is worried about his ships at sea, but he affirms that his investments are so diversified that he has no fear of loss, yet he is anxious still. I would rather be married to a skull with a bone in his mouth than to either of these princes. Belmont. I think he bought his shirt in Italy, his hose in France, his hatin Germany, and his behavior everywhere. are as sick that surfeit with too much as they that starve with . NERISSA : How do you like the young German, the Duke of Saxony’s nephew? SERVINGMAN : The four strangers are looking for you, madam, to say their goodbyes,and there is a messenger come from a fifth, the Prince of Morocco, who brings word the Prince, his master, will be here tonight. PORTIA : So, for fear of the worst, please set a deep glass of Rhenish wine on the wrong chest; because if the devil were within the chest and that temptation on top of it, I know he will choose it. I may neither choose whom I would, nor refuse whom I dislike; so is the will of a living daughter curbed by the will of a dead father. appropriation to his own good parts : addition to his own merits, county Palatine : The count from Palatine, as who should say : just as if he were saying, an you will not have me, choose : Palatinate has an abrupt manner which infers, “If you do not want me, you can do whatever you like. Chapels had been churches : a chapel is a church, which accommodates a small number of worshippers. Antonio seems to have it all. The bond-story is initiated in Scene I while the casket-story is initiated in Scene 2 of Act I. Over-name : name them over; read over their names, level at : conjecture; arrive at. Portia recalls the man, and says, "Yes, yes, it was Bassanio" (1.2.97). Scene 5. NERISSA : You don’t need to be afraid, lady, of having any of these lords; they have told me their intentions, which is indeed to go back to their homes, and to trouble you with no more suits, unless you may be won by some other way than your father’s command, that getting you depends on the chests. Come, Nerissa. What guesses do Solanio and Salerio have about the causes of his depression? A room in PORTIA\'S house. … SCENE 2: Belmont. marquis of Montferrat: this was the title of a high-bom Italian nobleman, who would possibly be known by this name in England, yes, yes, it was Bassanio; as I think, so was he called : it will be observed that Portia’s interest is awakened at once by the mention of Bassanio. The Merchant of Venice | Act 1, Scene 2 | Summary Share. The Merchant of Venice Act 1, Scene 1 Comprehension Questions: 1. PORTIA : If I could welcome the fifth with as good a heart as I can bid the other four goodbye, I would be happy of his arrival; if he has the condition of a saint and the complexion of a devil, I would rather he heard my confession than marry me. Characters in the Play. 5. PORTIA : He doesn’t do a thing but frown, as someone would say, “If you will not have me, choose.” He hears happy tales and doesn’t smile: I’m afraid he will probably be the weeping philosopher when he grows old, being so full of rude sadness in his youth. Nerissa, like Salerio, first offers a materialistic explanation—Portia is depressed by having too much money and possessions. Here, the answer is being described point wise so that all the students can grasp key points easily. Portia : O me, the word 'choose'! This study note containing a summary and analysis of all the events of Act 2 is part of our series on the Merchant of Venice. Get Merchant of Venice Workbook Answers here ICSE for class 9 and 10 board . The actual document would contain the seal (in wax) of Scotland, while the French seal would also be placed under it. Act 2 Scene 1 2. Annotated, searchable text of THE MERCHANT OF VENICE, Act 1, Scene 2, with summaries and line numbers. Why, then, is Antonio so sad? Portia, the wealthy heiress, discusses her many suitors with her noblewoman Nerissa. NERISSA : Don’t you not remember, lady, in your father’s time, a Venetian, ascholar and a soldier, that came here in the company of the Marquis of Montserrat? All's Well That Ends Well Antony & Cleopatra As You Like It Comedy of Errors Coriolanus Cymbeline Double Falsehood Edward 3 Hamlet Henry 4.1 Henry 4.2 Henry 5 Henry 6.1 Henry 6.2 Henry 6.3 Henry 8 Julius Caesar King John King Lear King Richard 2 Love's Labour's Lost Macbeth Measure for Measure Merchant of Venice Merry Wives of Windsor Midsummer Night's Dream Much Ado About Nothing … The scene is set in Venice. The Merchant of Venice Act 2, scene 1. SCENE 1. PORTIA : I remember him well, and I remember him worthy of your praise.How is it now! PORTIA : Honestly, Nerissa, my little body is weary of this great world. All Acts and Scenes are listed on the The Merchant of Venice text page, or linked to from the bottom of this page. The main objective Shakespeare has fulfilled in this scene is exposition of plot and characters. English Maths Physics Chemistry Biology. [Exeunt]. PORTIA : If knowing what to do were as easy as knowing what was good to do, chapels would have been churches, and poor men’s cottages would have been princes’ palaces. NERISSA : You would be, sweet madam, if your miseries were as abundantas your good fortunes are; and yet, for all I see, they that are sick from over-eating are as sick as those that starve with nothing. God defend me from these two! Name the six suitors given in this scene. Yet, despite her frustration, Portia will remain within the legal framework willed to her. Servant, go ahead of me. Summary: Act I, scene ii At Belmont, Portia complains to her lady-in-waiting, Nerissa, that she is weary of the world because, as her dead father’s will stipulates, she cannot decide for herself whether to … Click to copy Summary. Students love them!”. PORTIA : Yes, yes, it was Bassanio, I think, or so he was called. Human and Animal. The will gambles her whole fate on the—as yet, mysterious—riddle of the caskets, which her suitors must interpret. I don’t care.” weeping philosopher : the old Greek philosopher, Heracleitos of Ephesus, who “wept at everything in the world.” death’s head with a bone in his mouth : the emblem of a skull with two bones crossed underneath was usually known as a “death’s head.” Portia speaks of a different type, of a grinning skull with a bone in its mouth, just as if it were smoking a pipe, monsieur Le Bon : The description which Portia gives of this character is a satire on the traditional, affected, vivacious Frenchman. While we shut the gate on one would-be husband, another knocks at the door. The location of the scene is now at Belmont. It’s not an insignificant happiness, therefore, to be well situated in regard to financial resources: having more than enough comesat some time or other to old men, but having a sufficient income lasts longer. NERISSA : If he offers to choose, and chooses the right chest, you would be refusing to perform your father’s will, if your efused to accept him. Read the full text of The Merchant of Venice Act 1 Scene 2 with a side-by-side translation HERE. (lines 40-43) The audience knows that Lorenzo will come and help Jessica with her escape from her father's house on that night itself. NERISSA : True, madam; he, that, of all the men that I have ever seen with my foolish eyes, was the most deserving of a beautiful lady. Throstle : name often applied to the common English bird, the thrush, falconbridge : the young English baron, is a good-humoured satire on the typical travelled Englishman of that time, pennyworth : very little knowledge, he is a proper man’s picture : he is certainly a man of fine appearance, dumb show : knowing no French, the young man had to converse by means of signs, his behaviour every where : he had acquired certain manners and customs from all the nations which he had visited. The brain may come up with laws to control society, but one hot temper jumps over a cold law; Madness the Youth is just such a jumper,: skipping over the nets of Good Advice the Cripple.
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